List

A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy

In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there's more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.

Behind the scenes, Laurie's life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all--from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli--while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood.

As the food world careens toward an overdue reckoning and Laurie's mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life's work that she truly values: care and feeding.

“This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People

“Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours

In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing.

In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition.

Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood.

Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

From rare book dealer and guest star of the hit show Pawn Stars, a page-turning literary adventure that introduces readers to the women writers who inspired Jane Austen—and investigates why their books have disappeared from our shelves.

Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen’s books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more.

But Austen wasn’t a lone genius. She wrote at a time of great experimentation for women writers—and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen’s work. Every character in Northanger Abbey who isn’t a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase “pride and prejudice” came from Frances Burney’s second novel Cecilia. The women that populated Jane Austen’s bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn’t Romney—despite her training—ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon?

Jane Austen’s Bookshelf investigates the disappearance of Austen’s heroes—women writers who were erased from the Western canon—to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth—and recounts Romney’s experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen’s. Romney collects the once-famed works of these forgotten writers, physically recreating Austen’s bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen’s Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

From RuPaul's Drag Race winner and host of HBO's We're Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and hip-hop.

In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say.

Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way. Harriet wants to create a hip-hop album and live show about her life, and she needs a songwriter to help her.

She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed on a BET talk show. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have a short period of time to write a legendary album she can take on the road. Over the course of their time together, they not only create music that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future.

Original, evocative, and historic, Harriet Tubman: Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

For fans of Casey McQuiston, Alexis Hall, and Meryl Wilsner, an actually hilarious, sweetly sexy, gloriously relatable sapphic rom-com about a fake relationship, very real emotions, and writing your own Hollywood love story – from the acclaimed author of For Her Consideration.

Fresh off breaking up with her boyfriend and swerving away from the conventional, TikTok-ready married life she never wanted, Clementine is ready to explore the alternatives. Not that she wants to be single forever, much less die alone. But at thirty-six, it’s time for her to experience new things—including in her love life. And though an invitation to a fake relationship to appease family sounds like a recipe for disaster, Clem finds herself saying yes to smart, spirited dog groomer Chloe Lee anyway . . .

Chloe is long past her own baby gay era, but even before they’ve tackled Clem’s parents’ anniversary party and Chloe’s friend’s wedding, the two of them end up spending a lot of time together. As the attraction between them grows stronger, it all begins to feel pretty real to Clem. Chloe, however, is fine as just friends—plus she’s convinced Clem is just eager for “someone” to take her off the singles list. How to persuade her otherwise? After all, Clem is starting to realize her life is wonderfully full and being “alone” doesn’t scare her a bit. Still, being without the tiny powerhouse that is Chloe, specifically? That’s a whole other story . . . 

Wise, witty, and full of heart, here is an uplifting love story with an ending worth waiting for.

From the award-winning author of Flux comes a dazzling novel about love, family, and the art of sushi that asks: What if you could return to the point of a fateful choice, wiser than before, and find the courage to forge a new path?

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been ten years since he last saw his family.

Lost and disoriented, he makes a reluctant homecoming back to the bustling Korean American enclave of Fort Lee, New Jersey; back into the waiting arms of his parents, who are operating under the illusion that he never left; and back to Joja, their ever-struggling sushi restaurant that he was set to inherit before he ran away from it all. As he steps back into the life he abandoned—learning his Appa’s life lessons over crates of tuna on bleary-eyed 4 a.m. fish runs, doling out amberjack behind the omakase counter while his Umma tallies the night’s pitiful number of customers, and sparring with his recovering alcoholic brother, James—he embraces new roles, too: that of romantic interest to the nurse who took care of him, and that of sage (but underqualified) uncle to his gangly teenage nephew.

There is value in the joyous rhythms of this once-abandoned life. But second chances are an even messier business than running a restaurant, and the lure of a self-determined path might, once again, prove too hard to resist.

Why do we run from those we love, and why do we still love those who run from us? A highly entertaining and poignant story about second chances and self-discovery, I Leave It Up to You navigates loss, love, and the absurdity of finding one’s footing after the ground gives way.

"Utterly charming . . . I would read a hundred of these stories." —Shelby Van Pelt, New York Times bestselling author of Remarkably Bright Creatures

Seven struggling customers are given the unique opportunity to take home a "blanket cat" . . . but only for three days, the time it’ll take to change their lives.

A peculiar pet shop in Tokyo has been known to offer customers the unique opportunity to take home one of seven special cats, whose "magic" is never promised, but always received. But there are rules: these cats must be returned after three days. They must eat only the food supplied by the owner, and they must travel to their new homes with a distinctive blanket. 

In The Blanket Cats, we meet seven customers, each of whom is hoping a temporary feline companion will help them escape a certain reality, including a couple struggling with infertility, a middle-aged woman on the run from the police, and two families in very different circumstances simply seeking joy. 

But like all their kind, the "blanket cats" are mysterious creatures with unknowable agendas, who delight in confounding expectations. And perhaps what their hosts are looking for isn't really what they need. Three days may not be enough to change a life. But it might just change how you see it.

A funny, fiercely intelligent, and moving collection exploring marriage, friendship, fame, and artistic ambition—including a story that revisits the main character from Curtis Sittenfeld’s iconic novel Prep—from the New York Times bestselling author of Eligible and Romantic Comedy

“[Sittenfeld’s] perfectly contained stories are a joy.”—Booklist, starred review

In her second story collection, Sittenfeld shows why she’s as beloved for her short fiction as she is for her novels. In these dazzling stories, she conjures up characters so real that they seem like old friends, laying bare the moments when their long held beliefs are overturned.

In “The Patron Saints of Middle Age,” a woman visits two friends she hasn’t seen since her divorce. In “A for Alone,” a married artist embarks on a creative project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can’t spend time alone together without lusting after each other. And in “Lost but Not Forgotten,” Sittenfeld gives readers of her novel Prep a window into the world of her beloved character Lee Fiora, decades later, when Lee attends an alumni reunion at her boarding school.

Hilarious, thought-provoking, and full of tenderness for her characters, Sittenfeld’s stories peel back layer after layer of our inner lives, keeping us riveted to the page with her utterly distinctive voice.

A Library Reads Pick!

Most Anticipated by Goodreads, E! News, BookRiot, and more!

Unbearably tense, utterly propulsive, and studded with folklore and horror, Something in the Walls is perfect for anyone who loves Midsommar and The Haunting of Hill House.

Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she’s been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother’s death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her.

Alice Webber is a thirteen year old girl who claims she’s being haunted by a witch. Living with her family in their crowded home in the remote village of Banathel, Alice’s symptoms are increasingly disturbing, and money is tight. Taking this job will give Mina some experience; Sam will get the scoop of a lifetime; and Alice will get better, Mina is sure of it.

But instead of improving, Alice’s behavior becomes increasingly inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of...dealing with it. And they don’t expect outsiders to understand.

As Mina races to uncover the truth behind Alice’s condition, the dark cracks of Banathel begin to show. Mina is desperate to understand how deep their sinister traditions go–and how her own past may be the biggest threat of all.

"Unexpected, mesmerizing, and totally original...will keep you guessing until its wild end." -#1 International Bestselling author Darby Kane 

"Harrowing and moving...Pearce has written something magical. There are scenes in this book I'll never forget." -Kristi DeMeester, author of Such a Pretty Smile

A groundbreaking work challenging the false narrative that diversity equals a lack of qualifications by uncovering the impact of “competency checking,” a practice that unjustly scrutinizes Black people and other people of color, forcing them to repeatedly prove their worth, intelligence, and even their right to be in the workplace.

The advancement of Black and other people of color in the workplace is under attack as there is a turn away from the promise of the "racial reconciliation" of 2020. This period saw Black talent rise in the workplace from DEI managers to CEOs to junior-level hires. Yet, the post-2020 workplace is seeing an alarming retreat from creating workplaces and leadership that reflect the nation’s diversity.

That retreat is characterized by underemployment, cracked glass cliffs, toxic work environments, and claims of “empty pipelines.” More concerning, Black professionals and other people of color often face greater scrutiny than their peers regarding job applications, work experience, and qualifications to even be considered for employment or advancement. And that scrutiny has a name: Competency Checking.

When it comes to hiring Black talent, the pipeline isn’t broken; rather, it is the assumptions we make about who is competent and qualified. In Qualified, award-winning executive and journalist Shari Dunn combines deep research with enlightening interviews and anecdotes from across the broad spectrum of her career to uncover the history of Competency Checking, how it manifests in the workplace, and what can be done to change it. Competency checking, Dunn argues, continues to be practiced consciously and unconsciously and is the key reason why Black people and other people of color are underrepresented in so many industries and why there continues to be a revolving door of Black talent even after the hiring surges of 2020.

Two unlikely friends hatch an extraordinary scheme to expose the theater world in this wildly entertaining and sharply observed debut novel exploring perception, redemption, and how success shapes us all.

Meet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London’s theater world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem.

Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and…very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe.

Together they devise a plan, one which will see Eddie’s play on stage and Hugo’s name in lights. They send out her script under his name and vow to keep the play’s origins a secret until it reaches critical levels of success. Then they can expose the theater world for its racism and hollow clout-chasing. But as their plan spins wildly out of control, Eddie and Hugo find themselves wondering if their reputations, and their friendship, can survive.

A Rolling Stone 10 Most Anticipated Books of the Year •A Scary Mommy 11 Most Anticipated Books of the Year• A Them 10 Most Anticipated Books of the Year•A Goodreads Editors' Top Pick of the Month • A Town & Country Must Read Book of the Winter •A LitHub Most Anticipated Book of the Year • A Fable Most Anticipated Read of the Year • A Goodreads Readers’ Most Anticipated Horror Novel of the Year•A Book Riot Most Anticipated Book of the Year•A Polygon Most Exciting Fantasy Book of the Year •A The Mary Sue Most Anticipated LGBTQ Book of the Year• A Reactor 30 Standout SFF Title of 2025 

A compulsive feminist reworking of Carmilla, the queer novella that inspired Dracula. 

“Hungerstone is a delicious tribute to the inherent horrors of womanhood and the desperate and exquisite vulgarity of desire. This is everything I dream of in a novel.” —Ava Reid, #1 New York Times bestselling author of A Study in Drowning and Lady Macbeth 

It’s the height of the industrial revolution and ten years into Lenore’s marriage to steel magnate Henry, their relationship has soured. When Henry’s ambitions take them from London to the remote British moorlands to host a hunting party, a shocking carriage accident brings the mysterious Carmilla into their lives. Carmilla, who is weak and pale during the day but vibrant at night. Carmilla, who stirs up something deep within Lenore. And before long, girls from the local villages fall sick, consumed by a terrible hunger . . . 

As the day of the hunt draws closer, Lenore begins to unravel, questioning the role she has been playing all these years. Torn between regaining her husband’s affection and the cravings Carmilla has awakened, soon Lenore will uncover a darkness in her household that will place her at terrible risk.

A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with a one-of-a-kind job offer—only to be forced to do the work of confronting herself.

When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.

In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.

Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.

At the camp, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.

But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.

A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.

“Deeply rewarding . . . a dreamscape with a powerful undertow . . . [a] harrowing and labyrinthine masterpiece.”—Katie Kitamura, The New York Times

A MOST ANTICIPATED BOOK OF THE YEAR: The New York Times, Esquire, Ms. Magazine, Lit Hub, The AV Club

A city is always a cemetery.

A professor named Cristina Rivera Garza stumbles upon the corpse of a mutilated man in a dark alley and reports it to the police. When shown a crime scene photo, she finds a stark warning written in tiny print with coral nail polish on the brick wall beside the body: “Beware of me, my love / beware of the silent woman in the desert.”

The professor becomes the first informant on the case, which is led by a detective newly obsessed with poetry and trailed by a long list of failures. But what has the professor really seen? As the bodies of more castrated men are found alongside lines of verse, the detective tries to decipher the meaning of the poems to put a stop to the violence spreading throughout the city.

Originally written in Spanish, where the word “victim” is always feminine, Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative of gendered violence on its head. As sharp as the cuts on the bodies of the victims, it unfolds with the charged logic of a dream, moving from the police station to the professor’s classroom and through the slippery worlds of Latin American poetry and art in an imaginative exploration of the unstable terrains of desire and sexuality.

New York Times bestseller John Scalzi flies you to the moon with his most fantastic tale to date: When the Moon Hits Your Eye

The moon has turned into cheese.

Now humanity has to deal with it.

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

Astronauts and billionaires, comedians and bank executives, professors and presidents, teenagers and terminal patients at the end of their lives -- over the length of an entire lunar cycle, each get their moment in the moonlight. To panic, to plan, to wonder and to pray, to laugh and to grieve. All in a kaleidoscopic novel that goes all the places you’d expect, and then to so many places you wouldn’t.

It’s a wild moonage daydream. Ride this rocket.

From New York Times bestseller and Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Digs Her Own Grave—the hugely anticipated next installment in the fan-favorite Finlay Donovan series.

Finlay Donovan may have skeletons in her closet . . . but at least there's not a body in her backyard.

Finlay Donovan and her nanny/partner-in-crime, Vero, have not always gotten along with Finlay’s elderly neighbor, Mrs. Haggerty, the community busybody and president of the neighborhood watch. But when a dead body is discovered in her backyard, Mrs. Haggerty needs their help. At first a suspect, Mrs. Haggerty is cleared by the police, but her house remains an active crime scene. She has nowhere to go . . . except Finlay’s house, right across the street.

Finlay and Vero have no interest in getting involved in another murder case—or sacrificing either of their bedrooms. After all, they’ve dealt with enough murders over the last four months to last a lifetime and they both would much rather share their beds with someone else.

When the focus of the investigation widens to include Finlay’s ex-husband, Steven, though, Finlay and Vero are left with little choice but to get closer to Mrs. Haggerty and uncover her secrets . . . before the police start digging up theirs. But who will solve the mystery first?

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

But disquiet interrupts this secluded life with three visitations. First comes a terrible mouse plague, each day signaling a new battle against the rising infestation. Second is the return of the skeletal remains of a sister who disappeared decades before, presumed murdered. And finally, a troubling visitor plunges the narrator further back into her past.

Meditative, moving, and finely observed, Stone Yard Devotional is a seminal novel from a writer of rare power, exploring what it means to retreat from the world, the true nature of forgiveness, and the sustained effect of grief on the human soul.

From the award-winning novelist, a ravishing new novel set between London and rural Australia, both a love story and a ghost story

Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he is still here, he watches his girlfriend, Hannah, lost in grief in the apartment they shared and begins to realize how much of her life was invisible to him.

In the weeks and months before Max’s death, Hannah was haunted by the secrets she left Australia to escape. A relationship with Max seemed to offer the potential of a fresh new chapter, but the past refused to stay hidden. It found expression in the untold stories of the people she grew up with, and the events that broke her family apart and led her to Max.

Both a celebration and an autopsy of a relationship, and spanning multiple generations, The Echoes is a novel about love and grief, motherhood and sisterhood, secrets and who has the right to reveal them—what of our past can be cast away and what is fixed forever, echoing down through the years.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until -- betrayed and brokenhearted -- she must turn to the person she thought she needed least. Omelogor, Chiamaka's bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka's housekeeper, is proudly raising her daughter in America - but faces an unthinkable hardship that threatens all she has worked to achieve.

In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power. It confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.